Advertisement
Lupe Fiasco
About
A decade after Lupe Fiasco exploded onto the hip-hop scene with his seminal 2006 debut Food & Liquor, the Chicago native is closing the chapter on his career with his most visualized projects yet. The independent rapper, who parted ways with his former label Atlantic Records following the release of 2015’s Tetsuo & Youth, hits his creative peak with a trilogy of albums—Drogas Light, Drogas and Skulls—the final curtain call on one of the most gifted lyricists and visionaries to grace the mic.
Fiasco has often been pegged as a socially conscious emcee, likened to peers including Common and Nas, and he lives up to the reputation on “City of the Year,” where he explores the economic disparity of Chi-town. He flexes his storytelling muscle on the hypnotic, spinning “Jump,” on which he unfolds the tale of going from a “trapper to a rapper” by supplying a female adversary with a career boost. But it’s when the album hits the relax button that Drogas Light coasts on cushy grooves: “Kill,” also featuring Ty Dolla $ign, is an after-hours ode to women who work at gentleman’s clubs, and the vamping closer “More Than My Heart” is an emotionally charged hat-tip to all the mothers who would sacrifice anything for their children.
n the years since, he evolved from the backpack rap of his debut with a string of classics including 2007’s Lupe Fiasco’s The Cool and 2011’s Lasers, a prelude to the following year’s Food & Liquor II: The Great American Rap Album Pt. 1. While Drogas Light is just a taste of what he has to offer in the new year, it’s yet another earmark on a track record of an artist who continually comes into new bloom.
Fiasco has often been pegged as a socially conscious emcee, likened to peers including Common and Nas, and he lives up to the reputation on “City of the Year,” where he explores the economic disparity of Chi-town. He flexes his storytelling muscle on the hypnotic, spinning “Jump,” on which he unfolds the tale of going from a “trapper to a rapper” by supplying a female adversary with a career boost. But it’s when the album hits the relax button that Drogas Light coasts on cushy grooves: “Kill,” also featuring Ty Dolla $ign, is an after-hours ode to women who work at gentleman’s clubs, and the vamping closer “More Than My Heart” is an emotionally charged hat-tip to all the mothers who would sacrifice anything for their children.
n the years since, he evolved from the backpack rap of his debut with a string of classics including 2007’s Lupe Fiasco’s The Cool and 2011’s Lasers, a prelude to the following year’s Food & Liquor II: The Great American Rap Album Pt. 1. While Drogas Light is just a taste of what he has to offer in the new year, it’s yet another earmark on a track record of an artist who continually comes into new bloom.
